{"id":55,"date":"2021-02-12T23:08:18","date_gmt":"2021-02-12T23:08:18","guid":{"rendered":"https:\/\/pearlwhare.com\/?page_id=55"},"modified":"2026-09-25T00:23:30","modified_gmt":"2026-09-25T00:23:30","slug":"welcome","status":"publish","type":"page","link":"https:\/\/pearlwhare.com\/","title":{"rendered":"Nau mai, Haere mai! \u6b22\u8fce\u5149\u987e\u73e0\u7391\u5802"},"content":{"rendered":"\n
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Pearl Whare Translation Studio is led by Mr. Yang Fan, a renowned Chinese-language writer in New Zealand and a seasoned art & cultural translator. With over a decade of experience at the Auckland Art Gallery, he has translated a vast amount of exhibition materials, and was instrumental in establishing and curating the gallery\u2019s highly acclaimed Chinese-language guided tour service. <\/p>\n\n\n\n

Mr. Yang Fan\u2019s personal accolades include:<\/p>\n\n\n\n

June 2021: Handled all text translations for the Auckland Art Gallery\u2019s major virtual exhibition during the pandemic, Enchanted Worlds: Hokusai, Hiroshige and the Art of Edo Japan<\/em>.<\/p>\n\n\n\n

March 2023: Won first prize in the 4th Feng Yunk\u00e9 Literary Award (Kek\u00e9 Literary Award) from the New Zealand Chinese Writers\u2019 Association for his collection of essays on Chinese history and culture: Qiang Zheng Zui Yan Kan Chun Shan<\/em>.<\/p>\n\n\n\n

April 2023: Elected to the 6th Board of Directors of the New Zealand Chinese Writers\u2019 Association.<\/p>\n\n\n\n

October 2023: Oversaw the translation of all text for Auckland Art Gallery\u2019s summer exhibition Guo Pei: Fashion. Art, Fantasy.<\/em><\/p>\n\n\n\n

November 2023: Became Accredited Practitioner of New Zealand Society of Translators and Interpreters (NZSTI).<\/p>\n\n\n\n

January 2024: Interviewed by Radio New Zealand\u2019s Culture 101<\/em> program to discuss the philosophy of cultural translation.<\/p>\n\n\n\n

October 2024: Invited to the University of Auckland\u2019s School of Literature to deliver lecture on Art and Cultural Translation.<\/p>\n\n\n\n

December 2024: Translation for Auckland Art Gallery\u2019s summer exhibition, \u00d3lafur Eliasson: Your Curious Journey<\/em>.<\/p>\n\n\n\n

May 2025: Elected to the 7th Board of Directors of the New Zealand Chinese Writers\u2019 Association.<\/p>\n\n\n\n

November 2025: Translation for Auckland Art Gallery\u2019s summer exhibition Pop to Present: American Art from the Virginia Museum of Fine Arts<\/em>.<\/p>\n\n\n\n

May 2026: Translation for Auckland Art Gallery\u2019s winter exhibition, Forever Tomorrow: Chinese Art Now<\/em>\u00a0\u2014 the most ambitious exhibition of contemporary Chinese art ever held in the Southern Hemisphere.<\/p>\n\n\n\n

May 2026: Translated book Forever Tomorrow: Chinese Art Now<\/em> was published by Auckland Art Gallery.<\/p>\n\n\n\n

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\u73e0\u7391\u5802\u7ffb\u8bd1\u5de5\u4f5c\u5ba4\u7531\u65b0\u897f\u5170\u77e5\u540d\u534e\u6587\u4f5c\u5bb6\u3001\u8d44\u6df1\u6587\u5316\u7ffb\u8bd1\u6768\u5e06\u5148\u751f\u4e3a\u4e3b\u4efb\u7ffb\u8bd1\u5b98\u2014\u2014\u4ed6\u62e5\u6709\u4e30\u5bcc\u7684\u7ecf\u9a8c\uff0c\u5728\u5965\u514b\u5170\u7f8e\u672f\u9986\u4f9b\u804c\u7684\u5341\u4f59\u5e74\u95f4\uff0c\u7b14\u8bd1\u8fc7\u6570\u91cf\u5e9e\u5927\u7684\u827a\u672f\u6750\u6599\u4ee5\u53ca\u5c55\u54c1\u4ecb\u7ecd\uff0c\u66f4\u5960\u57fa\u53ca\u7b56\u5212\u4e86\u5965\u514b\u5170\u7f8e\u672f\u9986\u6709\u53e3\u7686\u7891\u7684\u4e2d\u6587\u5bfc\u89c8\u670d\u52a1\u3002\u5176\u7ffb\u8bd1\u4f5c\u54c1\u66fe\u88ab\u65b0\u897f\u5170\u300aMetro\u300b\u6742\u5fd7\uff0c\u5965\u514b\u5170\u7f8e\u672f\u9986\u5b98\u65b9\u7f51\u7ad9\u53ca\u4e2d\u6587\u5148\u9a71\u62a5\u6536\u5f55\u3002\u66fe\u627f\u63a5\u7cfb\u5217\u5c55\u89c8\u7684\u72ec\u7acb\u7ffb\u8bd1\u5de5\u4f5c\u3002<\/p>\n\n\n\n

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2024\u5e741\u6708\uff1a\u63a5\u53d7\u65b0\u897f\u5170\u56fd\u5bb6\u5e7f\u64ad\u7535\u53f0\uff08Radios New Zealand\uff09\u300a\u6587\u5316101\u300b\uff08\u300aCulture 101\u300b\uff09\u8282\u76ee\u7684\u82f1\u6587\u4e13\u8bbf\uff0c\u63a2\u8ba8\u6587\u5316\u7ffb\u8bd1\u4e4b\u54f2\u5b66\u3002<\/p>\n\n\n\n

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2025\u5e745\u6708\uff1a\u5f53\u9009\u4e3a\u65b0\u897f\u5170\u534e\u6587\u4f5c\u5bb6\u534f\u4f1a\u7b2c\u4e03\u5c4a\u7406\u4e8b\u4f1a\u7406\u4e8b\u3002<\/p>\n\n\n\n

2025\u5e7411\u6708\uff1a\u6267\u7b14\u5965\u514b\u5170\u7f8e\u672f\u9986\u590f\u5b63\u5927\u5c55\u300a\u4ece\u6ce2\u666e\u5230\u5f53\u4e0b\uff1a\u7531\u5f17\u5409\u5c3c\u4e9a\u7f8e\u672f\u9986\u9986\u85cf\u7684\u7f8e\u56fd\u827a\u672f\u300b\u4e2d\u6587\u56fe\u9274\u3002<\/p>\n\n\n\n

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\u00b7\u7b14\u8bd1\u670d\u52a1<\/strong>
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We provide premium quality two way translation services between English and Chinese on\uff1a<\/strong>
Academic Essays
CV and cover letters
PowerPoint and presentations
Books and Publications
Pamphlets, posters and flyers
Product labels
Exhibitions wall labels
Audio tours and virtual tours
Captions and localisations for videos, games and films
Websites, software and other media
Proofreading and polishing for raw translations<\/p>\n\n\n\n

\u00b7\u53e3\u8bd1\u670d\u52a1<\/strong>
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We provide premium quality two way interpretation services between English and Chinese for:<\/strong>
Conferences
Cultural events and celebrations
Guided tours
Business meetings
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Tabaimo (born 1975) Japan
The Obscuring Moon 2016
single-channel video installation with audio and custom pedestal 10:36 min
courtesy of James Cohan, New York and Gallery Koyanagi, Japan
Latticed partitions from Utagawa Hiroshige\u2019s Moon-viewing Point, 1857 ominously slide open and shut, releasing mysterious beasts into the moonlit environment. The Obscuring Moon, 2016 was inspired by the Japanese collections at the Seattle Art Museum. Utilising the ancient concept of utsushi (paying homage to past masters through emulation) Tabaimo transposes Hiroshige\u2019s Moon-viewing Point into an animated video format. Thought to depict one of the many brothels or inns in the settlement of Shinagawa, Hiroshige\u2019s print is unsettling in what it leaves absent or unsaid.
\u675f\u828b \uff081975\u5e74\u751f\uff09\u65e5\u672c \u9690\u6708 2016 \u591a\u5a92\u4f53\uff0c\u4eba\u9020\u821e\u53f0\uff0c\u7247\u957f10\u520636\u79d2 \u7ebd\u7ea6 James Cohan\u753b\u5eca\u53ca\u65e5\u672c\u5c0f\u67f3\u753b\u5eca\u5171\u540c\u62e5\u6709 \u845b\u9970\u5317\u658b\u89c2\u6708\u5904\uff081857\uff09\u753b\u4f5c\u4e2d\u63cf\u7ed8\u7684\u683c\u5b50\u7eb8\u95e8\u65f6\u5f00\u65f6\u5408\uff0c\u5c06\u795e\u79d8\u7684\u5f02\u517d\u5f15\u5165\u4e86\u6708\u5149\u8367\u8367\u7684\u4e16\u754c\u3002\u9690\u6708 2016 \u4ece\u7f8e\u56fd\u897f\u96c5\u56fe\u7f8e\u672f\u9986\u7684\u65e5\u672c\u85cf\u54c1\u4e2d\u5f97\u5230\u7075\u611f\uff0c\u52a0\u5165\u4e86\u5bf9\u65e5\u672c\u201c\u7b14\u610f\u201d\u4f20\u7edf\u7684\u81f4\u656c\uff08\u201c\u7b14\u610f\u201d\u5373\u7528\u65b0\u7684\u65b9\u5f0f\u6a21\u62df\u5f80\u6614\u5927\u5bb6\u7684\u610f\u5883\uff09\uff0c\u675f\u828b\u7528\u52a8\u753b\u7684\u65b9\u5f0f\u5c06\u5317\u658b\u7684\u540d\u4f5c\u6f14\u7ece\u4e86\u51fa\u6765\u3002\u5728\u63cf\u7ed8\u67d0\u95f4\u4f4d\u4e8e\u6c5f\u6237\u54c1\u5ddd\u7684\u98ce\u6708\u573a\u6216\u5ba2\u6808\u7684\u8868\u8c61\u4e4b\u4e0b\uff0c\u9690\u85cf\u7740\u5bf9\u4e8e\u7559\u767d\u4e0e\u672a\u77e5\u7684\u4e0d\u5b89\u611f\u3002
An empty straw mat (tatami) dominates the centre of the composition, while the room\u2019s occupants, a geisha on the right and a courtesan on the left, are half-hidden from view. The Obscuring Moon re-imagines and expands upon the mysterious ambiguity suggested in the etched lines of the woodblock print and hint at a darker, more sinister narrative. \u4f4d\u4e8e\u5360\u636e\u753b\u9762\u4e2d\u592e\u7684\u69bb\u69bb\u7c73\u5de6\u53f3\u4e24\u4fa7\u7684\u98ce\u6708\u5973\u5b50\u548c\u827a\u5993\uff0c\u72b9\u62b1\u7435\u7436\u534a\u906e\u9762\uff0c\u8ba9\u4eba\u4e0d\u89c1\u5168\u8c8c\u3002\u8fd9\u5e45\u7531\u6728\u523b\u7248\u753b\u884d\u751f\u800c\u6765\u7684\u4f5c\u54c1\u5728\u539f\u4f5c\u7684\u795e\u79d8\u4e0e\u9690\u6666\u4e4b\u4e0a\uff0c\u66f4\u6dfb\u52a0\u4e86\u6697\u9ed1\u548c\u5996\u5f02\u7684\u6c1b\u56f4\u3002<\/p>\n<\/div>\n\n\n\n

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teamLab (formed 2001)
Four Seasons, a 1000 Years, Terraced Rice Fields \u2013 Tashibunosho 2016
six-channel digital video
courtesy teamLab and Martin Browne
Workers sow rice crops, people celebrate the harvest, a crane soars through the sky, and day turns to night. Focusing on Kyushu Island\u2019s famed rice fields of Tashibunosho \u2013 unchanged for over 1200 years \u2013 this digital artwork explores the links between people and nature, seasonal change and the passing of time. teamLab (2001\u5e74\u7ec4\u5efa\uff09 \u56db\u5b63\u3001\u5343\u5e74\u3001\u68af\u7530 – \u7530\u67d3\u5e84 2016 \u516d\u5c4f\u5e55\u591a\u5a92\u4f53 teamLab\u548cMartin Browne \u85cf\u54c1
\u519c\u6c11\u6b63\u5728\u6492\u79cd\uff0c\u7fa4\u4f17\u6b63\u5728\u6b22\u5e86\u4e30\u6536\uff0c\u6674\u7a7a\u4e00\u9e64\u6392\u4e91\u800c\u4e0a\uff0c\u8f6c\u773c\u65e5\u5149\u5e7b\u5316\u4e3a\u591c\u8272\u3002\u8fd9\u4ef6\u4f5c\u54c1\u63cf\u7ed8\u4e86\u65e5\u672c\u4e5d\u5dde\u8457\u540d\u7684\u68af\u7530\u2014\u2014\u7530\u67d3\u5e841200\u5e74\u95f4\u672a\u53d8\u4e4b\u98ce\u60c5\uff0c\u5c06\u4eba\u4e0e\u81ea\u7136\u7684\u548c\u8c10\uff0c\u5b63\u8282\u7684\u8f6c\u6362\uff0c\u4ee5\u53ca\u65f6\u5149\u7684\u6d41\u901d\u5a13\u5a13\u9053\u6765\u3002
Synchronised with real-life seasons, weather and time in Tashibunosho, the artwork immerses you within its landscape, connecting you to distant geographic environments through a shared moment in time. In constant evolution, each moment in this artwork is unique and rendered in shifting abstract colours and shapes, so that the layered history of Tashibunosho unfolds for you in an ever-changing present. \u548c\u73b0\u5b9e\u4e2d\u7530\u67d3\u5e84\u7684\u5b63\u8282\u3001\u5929\u6c14\u3001\u65f6\u95f4\u76f8\u547c\u5e94\uff0c\u8fd9\u5e45\u4f5c\u54c1\u5c06\u89c2\u8005\u5e26\u5165\u4e86\u5c71\u6c34\u4e4b\u4e2d\uff0c\u8ba9\u4e07\u91cc\u4e4b\u5916\u7684\u4eba\u4e5f\u80fd\u591f\u5929\u6daf\u5171\u6b64\u65f6\u3002\u4f5c\u54c1\u4e2d\u7684\u8272\u8c03\u4e0e\u98ce\u60c5\u65f6\u65f6\u53d8\u6362\uff0c\u8ba9\u4eba\u5728\u591a\u53d8\u7684\u73b0\u5b9e\u4f53\u9a8c\u4e2d\u62e8\u5f00\u7530\u67d3\u5e84\u7684\u5c42\u5c42\u5386\u53f2\u3002<\/p>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n

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teamLab (formed 2001)
Four Seasons, a 1000 Years, Terraced Rice Fields \u2013 Tashibunosho 2016
six-channel digital video
courtesy teamLab and Martin Browne
Workers sow rice crops, people celebrate the harvest, a crane soars through the sky, and day turns to night. Focusing on Kyushu Island\u2019s famed rice fields of Tashibunosho \u2013 unchanged for over 1200 years \u2013 this digital artwork explores the links between people and nature, seasonal change and the passing of time. teamLab (2001\u5e74\u7ec4\u5efa\uff09 \u56db\u5b63\u3001\u5343\u5e74\u3001\u68af\u7530 – \u7530\u67d3\u5e84 2016 \u516d\u5c4f\u5e55\u591a\u5a92\u4f53 teamLab\u548cMartin Browne \u85cf\u54c1
\u519c\u6c11\u6b63\u5728\u6492\u79cd\uff0c\u7fa4\u4f17\u6b63\u5728\u6b22\u5e86\u4e30\u6536\uff0c\u6674\u7a7a\u4e00\u9e64\u6392\u4e91\u800c\u4e0a\uff0c\u8f6c\u773c\u65e5\u5149\u5e7b\u5316\u4e3a\u591c\u8272\u3002\u8fd9\u4ef6\u4f5c\u54c1\u63cf\u7ed8\u4e86\u65e5\u672c\u4e5d\u5dde\u8457\u540d\u7684\u68af\u7530\u2014\u2014\u7530\u67d3\u5e841200\u5e74\u95f4\u672a\u53d8\u4e4b\u98ce\u60c5\uff0c\u5c06\u4eba\u4e0e\u81ea\u7136\u7684\u548c\u8c10\uff0c\u5b63\u8282\u7684\u8f6c\u6362\uff0c\u4ee5\u53ca\u65f6\u5149\u7684\u6d41\u901d\u5a13\u5a13\u9053\u6765\u3002
Synchronised with real-life seasons, weather and time in Tashibunosho, the artwork immerses you within its landscape, connecting you to distant geographic environments through a shared moment in time. In constant evolution, each moment in this artwork is unique and rendered in shifting abstract colours and shapes, so that the layered history of Tashibunosho unfolds for you in an ever-changing present. \u548c\u73b0\u5b9e\u4e2d\u7530\u67d3\u5e84\u7684\u5b63\u8282\u3001\u5929\u6c14\u3001\u65f6\u95f4\u76f8\u547c\u5e94\uff0c\u8fd9\u5e45\u4f5c\u54c1\u5c06\u89c2\u8005\u5e26\u5165\u4e86\u5c71\u6c34\u4e4b\u4e2d\uff0c\u8ba9\u4e07\u91cc\u4e4b\u5916\u7684\u4eba\u4e5f\u80fd\u591f\u5929\u6daf\u5171\u6b64\u65f6\u3002\u4f5c\u54c1\u4e2d\u7684\u8272\u8c03\u4e0e\u98ce\u60c5\u65f6\u65f6\u53d8\u6362\uff0c\u8ba9\u4eba\u5728\u591a\u53d8\u7684\u73b0\u5b9e\u4f53\u9a8c\u4e2d\u62e8\u5f00\u7530\u67d3\u5e84\u7684\u5c42\u5c42\u5386\u53f2\u3002<\/figcaption><\/figure>\n\n\n\n
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Tabaimo (born 1975) Japan
The Obscuring Moon 2016
single-channel video installation with audio and custom pedestal 10:36 min
courtesy of James Cohan, New York and Gallery Koyanagi, Japan
Latticed partitions from Utagawa Hiroshige\u2019s Moon-viewing Point, 1857 ominously slide open and shut, releasing mysterious beasts into the moonlit environment. The Obscuring Moon, 2016 was inspired by the Japanese collections at the Seattle Art Museum. Utilising the ancient concept of utsushi (paying homage to past masters through emulation) Tabaimo transposes Hiroshige\u2019s Moon-viewing Point into an animated video format. Thought to depict one of the many brothels or inns in the settlement of Shinagawa, Hiroshige\u2019s print is unsettling in what it leaves absent or unsaid.
\u675f\u828b \uff081975\u5e74\u751f\uff09\u65e5\u672c \u9690\u6708 2016 \u591a\u5a92\u4f53\uff0c\u4eba\u9020\u821e\u53f0\uff0c\u7247\u957f10\u520636\u79d2 \u7ebd\u7ea6 James Cohan\u753b\u5eca\u53ca\u65e5\u672c\u5c0f\u67f3\u753b\u5eca\u5171\u540c\u62e5\u6709 \u845b\u9970\u5317\u658b\u89c2\u6708\u5904\uff081857\uff09\u753b\u4f5c\u4e2d\u63cf\u7ed8\u7684\u683c\u5b50\u7eb8\u95e8\u65f6\u5f00\u65f6\u5408\uff0c\u5c06\u795e\u79d8\u7684\u5f02\u517d\u5f15\u5165\u4e86\u6708\u5149\u8367\u8367\u7684\u4e16\u754c\u3002\u9690\u6708 2016 \u4ece\u7f8e\u56fd\u897f\u96c5\u56fe\u7f8e\u672f\u9986\u7684\u65e5\u672c\u85cf\u54c1\u4e2d\u5f97\u5230\u7075\u611f\uff0c\u52a0\u5165\u4e86\u5bf9\u65e5\u672c\u201c\u7b14\u610f\u201d\u4f20\u7edf\u7684\u81f4\u656c\uff08\u201c\u7b14\u610f\u201d\u5373\u7528\u65b0\u7684\u65b9\u5f0f\u6a21\u62df\u5f80\u6614\u5927\u5bb6\u7684\u610f\u5883\uff09\uff0c\u675f\u828b\u7528\u52a8\u753b\u7684\u65b9\u5f0f\u5c06\u5317\u658b\u7684\u540d\u4f5c\u6f14\u7ece\u4e86\u51fa\u6765\u3002\u5728\u63cf\u7ed8\u67d0\u95f4\u4f4d\u4e8e\u6c5f\u6237\u54c1\u5ddd\u7684\u98ce\u6708\u573a\u6216\u5ba2\u6808\u7684\u8868\u8c61\u4e4b\u4e0b\uff0c\u9690\u85cf\u7740\u5bf9\u4e8e\u7559\u767d\u4e0e\u672a\u77e5\u7684\u4e0d\u5b89\u611f\u3002
An empty straw mat (tatami) dominates the centre of the composition, while the room\u2019s occupants, a geisha on the right and a courtesan on the left, are half-hidden from view. The Obscuring Moon re-imagines and expands upon the mysterious ambiguity suggested in the etched lines of the woodblock print and hint at a darker, more sinister narrative. \u4f4d\u4e8e\u5360\u636e\u753b\u9762\u4e2d\u592e\u7684\u69bb\u69bb\u7c73\u5de6\u53f3\u4e24\u4fa7\u7684\u98ce\u6708\u5973\u5b50\u548c\u827a\u5993\uff0c\u72b9\u62b1\u7435\u7436\u534a\u906e\u9762\uff0c\u8ba9\u4eba\u4e0d\u89c1\u5168\u8c8c\u3002\u8fd9\u5e45\u7531\u6728\u523b\u7248\u753b\u884d\u751f\u800c\u6765\u7684\u4f5c\u54c1\u5728\u539f\u4f5c\u7684\u795e\u79d8\u4e0e\u9690\u6666\u4e4b\u4e0a\uff0c\u66f4\u6dfb\u52a0\u4e86\u6697\u9ed1\u548c\u5996\u5f02\u7684\u6c1b\u56f4\u3002<\/figcaption><\/figure>\n
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